Her work addresses the issues of femininity, extraversion and sexuality. The fact that female extraversion is representative of Christianity and other cultures, and does not address contemporary society, as the recent debate over public breast-feeding has confirmed. So instead of introducing new norms governing a woman's body and identity, Sherman emphasized the need to rethink traditional norms that demand sexual modesty and limit sex to motherhood. She chooses to introduce a foreign body into Mary's body, and she emphasizes Mary's controversial physical and sexual intimacy with human women, without disambiguating the dual meaning of female breasts as both nurturing and erotic. She borrowed and subverted the feminist norms of Christianity, so her image can be seen as an example of the practice of communication in the field of religious tradition. However, that is not all. The artist realizes the traditional theme, and it transcends the boundaries of the religious institutions at the same time. To contemporary culture under the background of "secular": Cindy Sherman is not a "religion" artist, her works are not suitable for religious background or the expression of piety. However, she may pattern by religious discrimination.